JINGYI







jingyi_studio

JINGYI is a London-based artist working across painting, photography, performance and scenographic installation. Drawing from personal memories, collective testimonies and historical research, she explores sites of intimacy and permission, from nightlife and family gatherings to temples and customs offices, asking how we participate in systems of care without being consumed by them.

Through images, installations and constructed environments, her works reveal the tensions between comfort and captivity, devotion and self-erasure, inviting viewers to reconsider their inherited identities, and what emerges after its rupture.


Her works have been showcased at London Museum “Oh How We Dance” (2026), “Of Broken Myths and Becoming Dawn” at Noiascape Gallery (2025),“Mythology Inspired” at Loosenart Rome (2024), “Violent Divinity”at Luckypot (2024), Somerset House (2022), “UnderPLAY” at Crypt Gallery (2022), Wuzhen Fringe Festival (2019), with raving reviews from Gallery Bagging, Skinny Mag, etc., and has given workshop & talks to Stills Edinburgh, OutsideIn, and Central Saint Martins UAL. 


For commission & collaboration, contact:

jingyi_studio@outlook.com



CV 







Education
2022 MFA Scenography, 
Royal Central School of Speech and Drama, UK

2020  BA English Literature, SISU, CN


Exhibitions
Oh How We Dance
London Museum, UK
2026

OF BROKEN MYTHS AND BECOMING DAWN
Noiascape Gallery, UK
2025

Mythology-Inspired

Loosenart, Italy
2024

Violent Divinity
Luckypot, UK
2024



TALKS & WORKSHOPSShare Art
Outside In, UK
2025

Where Are The Disabled Photographers
Stills Edinburgh, UK
2025

Inclusive Design Methodology,
Visiting Lecturer for MA Performance: Design & Practice
UAL: Central Saint Martins, UK
2023


TheatreWinston Went to War with the Wireless (assistant design) 
Donmar Warehouse Theatre, UK
2023

Bird and the Curiosity

Hollywood Fringe, USA
2023

Rainmaking
Now Play This Somerset House 2022
Wuzhen Fringe 2020


Press
Where Are the Disabled Photographers
The Skinny Magazine,
Laura Ballman
2025

"Exhibition Review:Violent Divinity",
British Asian Collective, 
Amy
2024

"Waiting… waiting… waiting….Patient, patience", Gallery Bagging, 
Eliza Coulson,
2023​​








Last Updated 24.10.31
SELECTED WORKS            SHOP          OBJECTS









1. NIGHTLIFE
2026

Nightlife Series examines desires and access in the age of digital isolation. Showcased in London Museum Oh How We Dance exhibtion. 





2. OF BROKEN MYTHS AND BECOMING DAWN
 (Fine Art exhibition)
(2025.11)


OF BROKEN MYTHS AND BECOMING DAWN explores moments of detachments.The exhibition move through cycles of myth and memory, tracing the patterns we inherted and the ones we choose to break.




3. SOFT HAUNTING
(2024–


SOFT HAUNTING is an ongoing image-based work that looks into the phenomenon of radical personality change and the gap of identity rupture often found in the disabled experience.





4. MAKINGS OF GODS
2025

Video art inspired by JINGYI’s research trip to the god-making village in Chongshan, China.


 

5. Objects




6. VIOLENT DIVINITY
Multi-discplinary Art Exhibition & Performance Event
Curator
LUCKYPOT, 2024

Inspired by the Siteng’s debut art pop EP, Violent Divinity encompasses photography, experimental films, performance arts, and interactive installations to highlight the resilience of Asian women artists.






7. CONSUME MOUNTAINS AND SEAS
Short Film
Exhibited in Mythology-Inspired, Loosenart, Italy, 2024

Experimental Coming-Of-Age film inspired by ancient Chinese mythology





8. CRYING WOLF
Performance 

Drawn from JINGYI’s chronic illness experience, Crying Wolf is a theatre piece that explores the journey of loss. The Wolf is the pain, the ugly, the time bomb, the devil, and, most importantly, part of us.





9. FRAMING FRAGILITY
Short Film collaborated with Fashion Designer Angelica Ellis

A soft telling of real & lived disability experience through fabrics




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